“Bliss, British-born and trained in London, America, and Germany (under Sabine Meyer), is at only 25 enormously accomplished. He has a supple, well-focused sound and an uncanny, crystalline technique. His playing in the Mozart Concerto is gorgeous, with an exquisite pianissimo at the reprise of the Adagio . His phrasing and articulations are unfailingly musical. Mario Venzago and the Royal Northern Sinfonia provide an alert accompaniment.”
Read the full review on Fanfare Magazine’s website.