“I simply don’t have words, or space, to convey the delights of this performance – a few highlights will have to suffice: the beautiful melody in octaves in Vocalise for the Angel; Bliss’s masterly solo Abyss of the Birds (I have never (on any instrument) heard sounds started so imperceptibly); the glorious cello solo In Praise of the Eternity with just the right weight of piano chords; absolutely perfect unison throughout Furious Dance for Seven Trumpets; and the exquisite timelessness and peace of the final In Praise of the Immortality of Jesus.”
Read the full review on the Taranaki Daily News.